5,636 Royalty-Free Audio Tracks for "Reverb Drums"

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.

Claps recorded inside a church on a zoom 4 close and a zoom h2 in the distance.

This is a drums improvisation with simple patterns you can use to make loops or anything you want (wav / mono / 101 bpm).

Akg 535 pt le 7,1.

Bass reverb.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Impulse responses of the forest in winter, taken from about 20 to 100 ft from the mic, made with firecrackers.

Water drum processed sample.

Water drum processed samples remix.

Water drum processed sample.

Water drum studio recording.

Water drum processed sample.

Water drum processed sample.

Water drum studio recording.

Water drum processed sample.

Water drum studio recording.

Water drum processed sample.

Water drum studio recording.

Water drum studio recording.

Percussed pumpkins in water.

Guy playing a little hand drum riff on a counter top in a taco shop.

A sequence i made with csound. The goal was to make a hi-hat. There is extreme panning in the sequence and different central frequencies for each of these drum-like sounds.

This is a short buildup made with fl studio 12 and with a snare from a project of gimbal&sinans; "rawl". Playing around with an eq is much fun xd.

Were experiments with algorithmic reverb, trying to create the reverb style used in the 80's.

Pretty-sounding mix of layers of verbhitbuildypiece. Wav.

Door slamming hard with reverb.

I made 3 copies of each sample:a-stretch of 25% and passed in guitar cab simulatorb-lowered by 5-7 semitones and passed in a bass chorusc-passed in a very bland reverblayers and passed in the art vla2 compressor. . . I like them very much. . . Try and enjoy. . (also works with other percussive sounds).

Heyho, here is a track i have made last year. Feel free to use it, message me for stems. Credits are welcome, but not required.

At the normal pitch of the 17 inch drum, i play several single notes. Feel free to use some sampling or anything!. Recorded with a sm58 in a sound-treated room.

A snare from processed noise.

A drum loop i made for fun. It seemed pretty good as a basis for experimentation so i made the following track with it:. Https://soundcloud. Com/hugofski/delirium. The delay really makes it pop, i think. Feel free to use it for anything.

Snare drum recorded stereo in shower close miked with sony pcm-d50. These are very bright. You might need to reduce the high frequencies.

Click sound edited, with a longer reverb relase.

Heyho, here is a track i have made last year. Feel free to use it, message me for stems. Credits are welcome, but not required.

Three snaps aligned together with reverb added for percussion or whatever. I made it for producing and i thought i'd put it up on here. I don't know what any of these licenses mean, so use it however you want, and don't feel like you need to credit me unless you really want to. Feel free to rate and comment. Enjoy.

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

This is the absolute classic joke sting. I crafted this sound using in-the-box effects and royalty free samples.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

A ride/cymbal sound made with sunvox. It's a sampled noise impulse with a certain starting phase sent through a bandpass and then a reverb with a low room size, which acts as a resonator. It then goes through another filter and reverb set, then a compressor.

Fast attack and very short sound.

Fast attack and very short sound.

Fast attack and very short sound.

Simple drum invited to experiment with many delay plugins (;.

This is a basic dubstep beat. It was done in reason 7. It is useful in that it shows you a good way to construct a beat. It consists of four 4-bar measures, each progressing from the previous. In this way, you can see how to write a good beat, by starting off simple and building from there. Traditional dubstep drums are very spare and sporadic with the use of symbols. I never liked drum beats until i heard dubstep !.

Added ontop of bigfriendlyjiant's marching drums, made it as a theme song for a videogame i'm making, not sure if i'm going to use it, i don't seem to be able to write music that goes well as bg music - thought i'd give it back here tho.